Dear Annie and Lindsay

I was earlier going through a 2016-17 Moleskine commonplace book I kept, and came across the following passages I transcribed from Harold Bloom’s book, How to Read and Why. I hope you may enjoy at…

Genres

[Alexander Kluge’s two books] are sobering inventories of a catastrophe, cool, dry and therefore more gripping.  A card index of all imaginable inhumanities.  Kluge’s books consist of excerpts from diaries, telegrams, official reports, sermons of…

Writing and Reading Inter-Are/2

Johnson made such chains of learned reference in his writing, and his written works are the outgrowth of the kind of reading Johnson did, in which fragments of writing can be distributed under preexisting topics…

Isn’t This the Truth?

It is a most wonderful comfort to sit alone beneath a lamp, a book spread before you, and commune with someone from the past whom you have never met.  —Yoshida Kenkō, Essays in Idleness, translated by…

One to One

Emerson never wrote for groups or classes or institutions; his intended audience was always the single hearer or reader. –Robert Richardson, Emerson: The Mind on Fire, xii

Writing and Reading Inter-Are/1

When a man writes from his own mind, he writes very rapidly.  The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library…

Invitations and Incitements

I think it’s best to see Walt, and virtually every other imaginative writer of consequence, as issuing not edicts but invitations. Walt asks us to make his words ours, his vision our own….you can respond…

Reading Jewish

In 1994, I purchased Harold Bloom’s The Western Canon, and would peruse it from time to time, and pick a book off of Bloom’s four lists.    He got me back to Shakespeare  and sparked…