For Dianne Lee and Lynette D’Amico
When I first read Lawrence Ferlinghetti’s Americus,I just before The Book of Mev was published, I was energized by discovering how much it is a mish mash, full of allusions, weaving together autobiography, politics, cultural history, headlines, lit crit, a whole shmear of America! It really is Joycean: Here comes everybody!
Ferlinghetti’s the John Sayles of poetry: Americus is a down-to-earth, populist poesy and retrospective on what and who we’ve been. Obscure, pedantic, unreadable poets, sharpen your knives!
A couple of passages:
Some kind of new woman or man
 dreamed up
 in our great melting pot
 petri dish of creation
 A small-scale exhibition
 of what mankind could possibly be—
 “Demon or bird! (said the boy’s soul)”
 Hero or antihero
 Man of pure action or Underground Man
 Man of “heightened consciousness”
 Or psychedelic mystic
 Slave master or utopian dreamer
 Bowery bohunk or blessed redeemer
 Sister of Mercy or serial killer
 Poet or panderer on the lamb
 Keystone Kop or Chaplin’s little man
 or Bush league Presidencies
 in totalitarian plutocracies?
 O which will it be? [pp. 2-3]
Song of the Open Road sung drunken
 with Whitman and Jack London and Thomas Wolfe
 still echoing through
 a Nineteen Thirties America
 a Nineteen Forties America
 an America long gone now
 Except in broken-down dusty old
 Greyhound bus stations
 in small lost towns
 Ti-Jean’s [Kerouac’s] vision of America
 Seen from a speeding car window
 the same as Wolfe’s lonely sweeping vision
 glimpsed from a coach train long ago [pp.64-65]
Over the last decade, Andrew Wimmer has stressed how much we as citizens need to recover our imaginations, to break free from the imprisonment of our spirits and language. Ferlinghetti sees poets as having a crucial role in that recovery:
[Poetry] is the street talk of angels and devils.
 It is a subversive raid upon the forgotten language of the collective unconscious.
 It is a lawless, insurgent enterprise.
 [The poet] must be a gadfly of the state mating with a firefly.
 It speaks the unspeakable, utters the unutterable sigh of the heart.
 A poem should still be an insurgent knock on the door of the unknown
 Poetry a radical presence, always goading us.
 For great poetry to be born, there must be hunger and passion.
 Poetry is the last refuge of humanity in dark times.
Poetry…
Radical, insurgent, subversive
Raid, refuge, gadfly …
Siempre avanti!